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Words, Characters, & Dialogues of EM Forster

 

Introducing EM Forster´s Margaret.  Away she hurried, not beautiful, not supremely brilliant, but filled with something that took the place of both qualities-- something best described as a profound vivacity, a continual and sincere response to all that she encountered in her path through life.

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Like many others who have lived long in a great capital, Margaret had strong feelings about the various railway termini. They are our gates to the glorious and the unknown. Through them we pass out into adventure and sunshine, to them, alas! we return.

 

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Continuing with EM Forster...

Italians realise this, as is natural; those of them who are so unfortunate as to serve as waiters in Berlin call the Anhalt Bahnhof the Stazione d'Italia, because by it they must return to their homes. 

 

And he is a chilly Londoner who does not endow his stations with some personality, and extend to them, however shyly, the emotions of fear and love.

 

Margaret´s sister Helen advanced along with a more irresponsible tread. In character she resembled her sister, but she was pretty, and so apt to have a more amusing time. People gathered round her more readily, especially when they were new acquaintances, and she did enjoy a little homage very much.

 

Margaret´s  speeches fluttered away from the young man like birds. If only he could talk like this, he would have caught the world. Oh, to acquire culture! Oh, to pronounce foreign names correctly! Oh, to be well informed, discoursing at ease on every subject that a lady started! But it would take one years. With an hour at lunch and a few shattered hours in the evening, how was it possible to catch up with leisured women, who had been reading steadily from childhood?

 

Margaret talked ahead, occasionally saying, "Don't you think so? don't you feel the same?" And once she stopped, and said, "Oh, do interrupt me!" which terrified him.

 

They had arrived at Wickham Place.

"Helen! Let us in!"

"All right," said a voice.

"You've been taking this gentleman's umbrella."

"Taken a what?" said Helen, opening the door. "Oh, what's that? Do come in! How do you do?"

"Helen, you must not be so ramshackly. You took this gentleman's umbrella away from Queen's Hall, and he has had the trouble of coming round for it."

"Oh, I am so sorry!" cried Helen, all her hair flying. She had pulled off her hat as soon as she returned, and had flung herself into the big dining-room chair. "I do nothing but steal umbrellas. I am so very sorry! Do come in and choose one. Is yours a hooky or a nobbly?

 

"Don't you talk, Meg,! You stole an old gentleman's silk top-hat. Yes, she did, Aunt Juley. It is a positive fact. She thought it was a muff. Oh, heavens! I've knocked the In-and-Out card down. What about this umbrella? " She opened it. "No, it's all gone along the seams. It's an appalling umbrella. It must be mine."

But it was not.

He took it from her, murmured a few words of thanks, and then fled, with the lilting step of the clerk.

 

"But if you will stop--" cried Margaret. "Now, Helen, how stupid you've been!"

"Whatever have I done?"

"Don't you see that you've frightened him away? I meant him to stop to tea. You oughtn't to talk about stealing or holes in an umbrella. I saw his nice eyes getting so miserable. No, it's not a bit of good now." For Helen had darted out into the street, shouting, "Oh, do stop!"

"I dare say it is all for the best," opined Aunt Juley. "We know nothing about the young man, Margaret, and your drawing-room is full of very tempting little things."

 

But Helen cried: "Aunt Juley, how can you! You make me more and more ashamed. I'd rather he had been a thief and taken all the apostle spoons than that I-- Well, I must shut the front-door, I suppose. One more failure for Helen."

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