To organize and interpret the data, I heuristically approach music as performance and discourse through which people negotiate their every-day and expressive lives. Other than these sources, there are only a small number of historical notated the scores, technical treatises, paintings, and material evidences from the period. Reading and interpreting literary writings for musical evidence are, however, daunting tasks; They require theoretical justifications and practical strategies. The poem projects a beautiful and Sonic Vista, but what it reports on singing and dancing is non-specific. Thus the musical data the song provides is poetic. Over a hundred of us chosen that year, time passed, we aged, now only I am left. They are discovered and caught. He is punished then released; She, unknown to him, is killed. After his release she rejoins him as a ghost. later her nature is revealed and she knows she must leave. She grabs her husband with both hands who screams then dies.