Architecture _ Master's Thesis Report III The projected building does not impose itself on the surrounding environment, since the maximum level does not exceed the buildings of the immediate urban place and, on the other hand, the dialogue among that external context and the project itself is favored, through the materials of facade put on it, which will cause a very diffuse reflection that will promote the dissolution of the presence of the roof element, through the finishing of the materials used in it. Allowing, on the other hand, to subtly draw the tones, rhythms, voids and vegetation of the environment closest to the building, deconstructing and dematerializing the roof element. Also, the use in the semi-public interior vacuum of this type of effect on the material, together with the use of glasses of different reflection, will generate environments of great mistiness sensation. Regarding the proposed uses, they are organized by stratified levels, the most public and multifunctional being located in the lower level (sports tracks, leisure, events, gardens, heated pool and gym), and ascending towards more private uses, such as the intergenerational housing projected. In the middle of them, we find the restoration area, terraces and cafe, in the same level of the street, square or main access and, under it, a stratum of commercial area. Another aspect to be highlighted is the use of the triad in the composition, organization and arrangement of elements: three are the bands of main uses in section, three hierarchical accesses to the building, three main vertical communication cores, three lines of perimeter rings in the forest of pillars, three types of houses, three cores of changing rooms.The integration among the levels and the uses described above, is solved by the set of communication routes proposed. Highlighting, above all, one of them more contemplative, slow and suggestive, with another more direct and functional. Apart from a double circuit that responds to the flow of accesses to the projected architectural complex; one of them more private and another more public and seasonal. Always, it has been sought, by the undersigned, to embark on a broad process of project research forming a project of great conceptual and aesthetic coherence from the first step and searching models, which have been marked the course of the same. All this, both on the side of the process and the result. Finding a balance between them, which endows the projected element with an own and singular entity.