I agree with what Sandy said. The second one, especially, is written in a sort of flowery, literary way. It's a nice passage that discusses a roll of film, intention, authenticity, and memories. And that, maybe, the best pictures on the roll aren't the contrived, staged photos but instead the unplanned, natural, spontaneous images that were haphazardly shot just to 'burn the roll.' When you see them in the future, they will cut through time and transport you back to that day in the past more so than the staged photos that directly document the actual intention of the event...i.e. everyone gathered for a group shot, smiling on cue, at a wedding/graduation/etc.