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{A glimpse into China’s traditional villages--perspective from a small place in south China}
If googling keywords like “Folk village & Chinese countryside”, there are thousands of photos depicting idyllic and tranquil scenery. However, considering that China’s rural areas are heterogeneous with vast geographical and cultural diversity, such images could be deceiving and stereotyped.
In the Lian River basin, a 500-km2-large small floodplain located in the east part of Guangdong Province, the layout of a village could be spectacular (see image A). The Lian River plain is chopped up into three administrative—Puning, Chaoyang and Chao’nan—and accommodates a population of 4 million, which make it one of the most densely populated areas in China. You may not have heard any of them, but they are one of the major centers of the textiles and clothing industry in the world, especially underwear production. Besides, a town named Guiyu was once Chian’s e-waste town notorious for its role in “low-end globalization”.
The area is a mosaic of meandering waterways and large-seized traditional settlements(see Image B). At first glance, the villages here sprawl in an untrimmed way on the plain, but a closer look reveals a fascinating sense of order. Resemblance to a checkerboard, a typical village consists of tens of hundreds of smaller blocks. Every block is a residential compound for one or two households, comprising two or three rows of one-story buildings and one or two tiny yards.
Generally, the whole village is arranged by patriarchal lineage and shares a common ancestor. As a result, almost every resident is a close or distant relative to his or her neighbors. In fact, these villages may be the largest worldwide in the categories of traditional rural settlements. One interesting fact worth noting here is that most of them were built less than half a century ago but the theory of constructing villages in such a pattern dates back to a thousand years ago.
14. Dezember 2022
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Dieser Inhalt verstößt gegen unsere Community-Richtlinien.30. Dezember 2020
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Quite a long break since my last article post in italki. I read a book on Vietnamese literary classic last month. The author introduces a masterpiece—Truyen Kieu (The Tale of Kieu/金雲翹傳) by Nguyen Du(1765-1820). Truyen Kieu is an epic poem narrating the life and destiny of Kieu, a noble young lady who was force to be a prostitute after engaging with a gentleman from a humble family. The masterpiece was inspired by a Chinese fiction but adapted, or more precisely, rewrote into verse according to Vietnamese oral tradition. It is the first few lines in the beginning that have spellbound me (English version below, translated by Le Xuan Thuy):
“Within the span of hundred years of human existence,
What a bitter struggle is waged between genius and destiny!
How many harrowing events have occurred while mulberries cover the conquered sea!
Rich in beauty, unlucky in life!
Strange indeed, but little wonder.
Since casting hatred upon rosy cheeks is a habit of the Blue Sky.”
Or the English translation by Michael Counsell:
“What tragedies take place,
within each circling space of years!
‘Rich in good looks’ appears,
to mean poor luck and tears of woe.”
Such lines are quite shocking to me, who has been thinking about the meaning of death for individuals and the history of human being. I understand the word “inherit” better after reading these lines. Life is short for individuals but culture can be inherited from generation to generation. So does the great literary works in human history, which still kindle us long after its birth.
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Several versions of the song Let it Go:
🌿Vietnamese version with Chu-nom subtitle:
https://www.bilibili.com/video/BV1Nt411a7As?from=search&seid=1858627942312934042
🌿Cantonese version with subtitle in traditional Chinese characters:
https://m.bilibili.com/video/BV1Es411Z7Ha?from=search&seid=4175626424130502759
🌿Mandarin version with Classical Chinese lyrics:
https://www.bilibili.com/video/av1109606/
🌿A mixture of 26 Chinese dialects:
https://www.bilibili.com/video/BV1bs411Z7A1/?spm_id_from=333.788.videocard.2
Among them the Vietnamese version is my favourite, though I know nothing of this language. Perhaps that's why it sounds engaging and exotic to me.
13. November 2020
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当代越南语、日语、韩语译解古汉语的方式(如有错误,请大家指正!)
以此为例:子曰:學而時習之,不亦說乎?有朋自遠方來,不亦樂乎?人不知而不慍,不亦君子乎?
越南语:先逐字标音,再用现代语翻译。
Phiên âm(標音/标音):
Tử viết(子曰): "Học nhi thời tập chi(學而時習之), bất diệc duyệt hồ(不亦說乎)? Hữu bằng tự viễn phương lai(有朋自遠方來), bất diệc lạc hồ(不亦樂乎)? Nhân bất tri, nhi bất uấn(人不知而不慍), bất diệc quân tử hồ(不亦君子乎)?"
Dịch nghĩa(譯義/译义):
Đức Khổng tử nói: "Học rồi mà tùy thời ôn tập, lại chẳng đẹp lòng sao? Có bạn bè từ phương xa đến, lại chẳng vui thích sao? Người ta không biết đến mình, mà mình không giận hờn, chẳng phải là bậc quân tử đó sao?"
日语:先在原文内加训读符号“返点”(返り点),再用训读法读,最后还可现代语翻译。(请见图片)
韩语:先做“悬吐/懸吐”(加韩文语法助词尾巴),再用现代语翻译。
悬吐: 子曰 學而時習之면 不亦說乎아
现代语翻译:공자(孔子)께서 말씀하셨다. "배우고 때때로 익히면 기쁘지 않겠는가.
21. Oktober 2020
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For learners of Chinese characters (汉字/漢字Hanzi, Kanji& Hanja), I would like to recommend an engaging book by Cecilia Lindqvist(林西莉), a Swedish sinologist. It is "China: Empire of Living Symbols". This book introduces the orign and development of hundreds of ideographic Chinese characters. I think its explanation is clear and interesting.
10. Oktober 2020
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I overheard a conversation between two cleaners while I was doing some exercises for relaxation in the corridor of the university library this afternoon. They are middle-aged women at their mid-50s. Their conversation commenced with comments on the dramatic performance of a new detergent. Then they confabed about daily affairs and their past. One said her mother passed away at the beginning of this year. The other recollected the year when she was 20 and got married. Obviously they did not mind being overheard. Though they wore poorly-designed uniform and dealt with the toilets all the day, they looked delightful and relaxed during the confab. In university students live in dormitories in the campus to make a exclusive "college town". As a result, we have abundant opportunities to attend to lectures and seminars but little opportunity to overhear a conversation between blue-collar stuffs unless we typically pay attention to it. I used to dream about running a niche bookstore where people talking about books and knowledge academically. But now I think that a space accessible to very common workers is as lovely as a "nerd's bookstore". Perhaps a combination of grocery and bookstore would be nice.
27. September 2020
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I found I was easily distracted recently due to academic pressure. Because I am writing my research proposal for my thesis on Southeast Asian maritime history. In a way, the intense reading of historical essays and books makes me "disgusted". So I think I would be helpful if I do something beyond my schoolwork at night. For tonight, I read Allan Poe's ALONE.
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24. September 2020
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The 15th day of the 7th lunar month is the Ullambana Festival in East Asia. Ullambana Festival is originated from Indian Buddhism and was introduced into China around the 2rd century CE, blending with a traditional Taoist festival located on the same date when people offered sacrifices to ghosts and their deceased ancestors. Since then this Buddhist festival had gradually adapted to the Confucian morality of filial piety, even though being a celibate Buddhist monk or nun was a deviation from filial piety. In order to promote the faith of Buddhism, monks even created a story about Maudgalyayana, a disciple of Buddha, whose mother was thrown into the hell as a hungry ghost to pay for her greed and unkindness. Since she was doomed to be a hungry ghost forever without opportunity to be released from the hell, the only possible solution was to feed her with food from the earth by spiritual ceremony. Aware of his mother’s painfulness and feeling helpless, Maudgalyayana decided to rescue his mother by conducting a ceremony on the 15th day of the 7th lunar month to collect compassion from other Buddhist believers. His filial effort touched Buddha’s heart and he released Maudgalyayana’s mother to the earth. As a consequence, people would conduct ceremony on the street and offer joss paper and food to nameless hungry ghosts. Today, people living in South & Southwest China, as well as overseas Chinese in Southeast Asia, still preserve this tradition. Due to the influence of Buddhism and Confucian morality, other East Asian countries celebrate it, too. In Japan, Ullambana Festival is called Obon. Obon is celebrated across the country on 15th July every year according to the solar calendar. It’s said that Korea(백중날) and Vietnam(Vu-lan) also celebrate this festival, but that is beyond my knowledge.
5. September 2020
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