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{A glimpse into China’s traditional villages--perspective from a small place in south China} If googling keywords like “Folk village & Chinese countryside”, there are thousands of photos depicting idyllic and tranquil scenery. However, considering that China’s rural areas are heterogeneous with vast geographical and cultural diversity, such images could be deceiving and stereotyped. In the Lian River basin, a 500-km2-large small floodplain located in the east part of Guangdong Province, the layout of a village could be spectacular (see image A). The Lian River plain is chopped up into three administrative—Puning, Chaoyang and Chao’nan—and accommodates a population of 4 million, which make it one of the most densely populated areas in China. You may not have heard any of them, but they are one of the major centers of the textiles and clothing industry in the world, especially underwear production. Besides, a town named Guiyu was once Chian’s e-waste town notorious for its role in “low-end globalization”. The area is a mosaic of meandering waterways and large-seized traditional settlements(see Image B). At first glance, the villages here sprawl in an untrimmed way on the plain, but a closer look reveals a fascinating sense of order. Resemblance to a checkerboard, a typical village consists of tens of hundreds of smaller blocks. Every block is a residential compound for one or two households, comprising two or three rows of one-story buildings and one or two tiny yards. Generally, the whole village is arranged by patriarchal lineage and shares a common ancestor. As a result, almost every resident is a close or distant relative to his or her neighbors. In fact, these villages may be the largest worldwide in the categories of traditional rural settlements. One interesting fact worth noting here is that most of them were built less than half a century ago but the theory of constructing villages in such a pattern dates back to a thousand years ago.
14 ธันวาคม 2022
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30 ธันวาคม 2020
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เนื้อหานี้มีการละเมิดหลักเกณฑ์ชุมชนของเรา30 ธันวาคม 2020
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Quite a long break since my last article post in italki. I read a book on Vietnamese literary classic last month. The author introduces a masterpiece—Truyen Kieu (The Tale of Kieu/金雲翹傳) by Nguyen Du(1765-1820). Truyen Kieu is an epic poem narrating the life and destiny of Kieu, a noble young lady who was force to be a prostitute after engaging with a gentleman from a humble family. The masterpiece was inspired by a Chinese fiction but adapted, or more precisely, rewrote into verse according to Vietnamese oral tradition. It is the first few lines in the beginning that have spellbound me (English version below, translated by Le Xuan Thuy): “Within the span of hundred years of human existence, What a bitter struggle is waged between genius and destiny! How many harrowing events have occurred while mulberries cover the conquered sea! Rich in beauty, unlucky in life! Strange indeed, but little wonder. Since casting hatred upon rosy cheeks is a habit of the Blue Sky.” Or the English translation by Michael Counsell: “What tragedies take place, within each circling space of years! ‘Rich in good looks’ appears, to mean poor luck and tears of woe.” Such lines are quite shocking to me, who has been thinking about the meaning of death for individuals and the history of human being. I understand the word “inherit” better after reading these lines. Life is short for individuals but culture can be inherited from generation to generation. So does the great literary works in human history, which still kindle us long after its birth.
16 ธันวาคม 2020
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I overheard a conversation between two cleaners while I was doing some exercises for relaxation in the corridor of the university library this afternoon. They are middle-aged women at their mid-50s. Their conversation commenced with comments on the dramatic performance of a new detergent. Then they confabed about daily affairs and their past. One said her mother passed away at the beginning of this year. The other recollected the year when she was 20 and got married. Obviously they did not mind being overheard. Though they wore poorly-designed uniform and dealt with the toilets all the day, they looked delightful and relaxed during the confab. In university students live in dormitories in the campus to make a exclusive "college town". As a result, we have abundant opportunities to attend to lectures and seminars but little opportunity to overhear a conversation between blue-collar stuffs unless we typically pay attention to it. I used to dream about running a niche bookstore where people talking about books and knowledge academically. But now I think that a space accessible to very common workers is as lovely as a "nerd's bookstore". Perhaps a combination of grocery and bookstore would be nice.
27 กันยายน 2020
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The 15th day of the 7th lunar month is the Ullambana Festival in East Asia. Ullambana Festival is originated from Indian Buddhism and was introduced into China around the 2rd century CE, blending with a traditional Taoist festival located on the same date when people offered sacrifices to ghosts and their deceased ancestors. Since then this Buddhist festival had gradually adapted to the Confucian morality of filial piety, even though being a celibate Buddhist monk or nun was a deviation from filial piety. In order to promote the faith of Buddhism, monks even created a story about Maudgalyayana, a disciple of Buddha, whose mother was thrown into the hell as a hungry ghost to pay for her greed and unkindness. Since she was doomed to be a hungry ghost forever without opportunity to be released from the hell, the only possible solution was to feed her with food from the earth by spiritual ceremony. Aware of his mother’s painfulness and feeling helpless, Maudgalyayana decided to rescue his mother by conducting a ceremony on the 15th day of the 7th lunar month to collect compassion from other Buddhist believers. His filial effort touched Buddha’s heart and he released Maudgalyayana’s mother to the earth. As a consequence, people would conduct ceremony on the street and offer joss paper and food to nameless hungry ghosts. Today, people living in South & Southwest China, as well as overseas Chinese in Southeast Asia, still preserve this tradition. Due to the influence of Buddhism and Confucian morality, other East Asian countries celebrate it, too. In Japan, Ullambana Festival is called Obon. Obon is celebrated across the country on 15th July every year according to the solar calendar. It’s said that Korea(백중날) and Vietnam(Vu-lan) also celebrate this festival, but that is beyond my knowledge.
5 กันยายน 2020
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